(via girlwithglassestoo)
The Big Sleep inaugurates a post-modern, camp, satirical view of movies being about other movies that extends to the New Wave and Pulp Fiction. In that sense, it breaks fresh ground while sensing the ultimate dead end of the form. And so I have to say, ruefully, but with pleasure still, that The Big Sleep is both the most entertaining of films and a piece of shiny whimsy, untrue to life in so many important ways. After a hunderd years of film, intelligent commentary seems to be left with that embarrassing conclusion.
(Source: oldfilmsflicker)
Lauren Bacall and Humphrey Bogart on the set of The Big Sleep, 1946.
While filming To Have and Have Not, Humphrey Bogart became enchanted with Lauren Bacall. This became apparent, according to Bacall, about three weeks into the shooting of the picture. Immediately it presented problems, because Bogart was still married to Mayo Methot, who was as watchful and as jealous as ever. A few weeks earlier, when he was congratulating Bacall on her screen test (which consisted of the famous ‘If you want me, just whistle’ scene), his prescient comment had been ‘We’ll have a lot of fun together,’ but for a while it seemed as if fun was the last thing on their agenda: they would drive their cars to secluded residential streets and sit holding hands and talking, or write each other long, ardent, frustrated letters. And when shooting on To Have and Have Not was over, they had no further excuse for being together. Fortunately fate was quick to step in, in the kindly guise of Howard Hawks and Warners executives, who were so pleased with the on-screen chemistry between the two stars that they decided to waste no time before pairing them again. In October 1944 they began filming their second film The Big Sleep where they resumed their affair with a vengeance.
(via missavagardner)
Georges Guetary & Gene Kelly
(An American in Paris - 1951)
